Showing posts with label pelisse. Show all posts
Showing posts with label pelisse. Show all posts

Sunday, 20 April 2014

white pelisse


Of  lovely April days, invasion of cat,  white pelisse, and other many distractions. This is the blog as it was meant to be!



Last week-

The making of the white pelisse-

The sun has shone, the grass and weeds are happy. The bees buzz, there are butterflies, the garden is in its purple Spring phase.  I might have been distracted from costuming but I have been refining copies and interpretations of fashion plates to show the latest additions to Gwendoline's wardrobe as well as constructing 18th Century items for myself, so it has been busy.

I decided to use a clingfilm  base and made Gwendoline a masking tape shell. This was sectioned into pattern parts and then cut and flattened to create templates- and it worked! There is very little gaping, or bowing, or pinching – all without any fiddling, adjusting or cheating in any way. Umm, wow. Don't worry, it won't last.


This of course has lead to unwise decisions, there is no point having patterns that will only fit once, I wanted to find out how flexible this approach would  let me be – 1820s shapes- lower waist, broader shoulders, exaggerated sleeves and decoration. The fabric is curtain offcuts – trying to look like a heavy weave cotton or linen but I'm thinking that the closest this has come to nature was being sat on by an invading cat. ( I yelled, it went from snooze to panic in one move, did a complete circuit of the kitchen tops and windowsills at full pelt before escaping out the backdoor, fled through the hedge and off down the road.... leaving me with hairy fabric and chaos!)

 One idea arising from the gingham frock (last week) was using the smocking as a substitute/sculptural form of gathering, so set out to try a Juliet style sleeve with the repeated gathered bands down the arm. I also wanted to do more with pleating on the bodice. Even my favourite pelisse has gathers above and below the waistline. This fabric is quite stiff, it will bend and flex but goes clumpy and lumpy on curves and bulks up very quickly. The pleats in the back look good but have left the waist heavy, a wider waistband than originally planned might be needed or else the waistline is going to end up the thickest part of the whole garment!
last week's progress



Having faith in the pattern pieces makes such a difference – and saved so much time. No repeat fittings, unpicking and realigning. Getting from 'what shall I do now?' to having a believable bodice took less than an hour. The smocking took about the same. If I had a brain I would have done the smocking before making up and attaching the sleeve. But the sleeve was a bit of a guess, I knew I wanted more fullness at the back rather than the front, and that Pingu arms must be avoided. So I began with a basic gathered sleeve shape and made the curve at the top steeper and off centre . It did take some minor fiddling as the fabric protested about curves but it sits reasonably well, although many sins may be lost in the puffiness. And of course the piece I cut as a pattern is now firmly attached !.
 

This week-
Overall the pelisse has worked quite well- the good times did not last  The collar was a problem, it still tries to stick straight out rather than relaxing on the shoulder. Repeated washing did not help it, the fabric has a great deal of 'boing' - it tries to reset itself to flat each time. The radial  pin tucks have helped  a little and something to experiment with later on. Fears about the waist at the back were well founded, it is thick and seriously needs stiffening. Perhaps come at it from the end - put a bow on the  waistband cb so the bulk becomes deliberate ( see little blue example above).
  I do wish this stuff would make its mind up - it bends when I don't want it to and is too stiff when I want it to bend.

 As a relatively plain pelisse it is fine, the gathers in the sleeves give it more character and style. The gathering on the centre back  should perhaps only be attempted with finer cloth. Poor Gwen does not look terribly happy it. It does nothing for her figure - the extra bulk on the waist is not good , there is nothing voluptuous or even jelly-on-a-plate-ish about her to give definition, she ends up looking like a tree trunk. In the plates above, the waist is so narrow in comparison to the shoulder/ sleeve line, and  Gwen goes in just a little and out not a lot. I do wonder about making her a set of stays /padded bodice-  can't pull her in but might be able to push her out. ( I'm sure I thought this before sometime - a little set of transitions with bust enhancer?)

One moment - repeated washing?  Knowing how much I enjoy domestic chores  you will have realised this had to be an emergency. Well, first the 'sharps' needle I was using was very sharp and I hadn't noticed, second time was due to creating drawings in pastels. The washing has caused problems, now the lining is not happy at the armhole, causing the wrinkling seen above, a bit of unpick and pull  will hopefully sort it but this garment will remain untouched until the pastel phase ends.

Distractions-
1. Pastels- not a medium I usually use but... apart from the dust .....they are quite fun.


2. The fake book. - it started with a charming photo posted on facebook from the Australian Jane Austen Festival in Canberra.  In the general flow of very learned conversation we decided the photo looked like a book cover, couldn't resist it, and....  Last time I caught up it was either Mr D would emerge a la wet shirt, or she had  just shoved him in.  The drawing took  over a morning and then working out the editing  programme took about the same. (Gimp2 - a free download, complex but very good)
 
 
 
 
 
 
 
3. Gave up putting it off and set up a website- AARGH.
 
  Pastels were easy, Gimp is straightforward. If I had known how to do this it would have been simple! Used Google sites, free, supposed to be an easy site builder, self hosting, and well I'm googled for almost everything else. Looking back, once the mind shift was made, it was straightforward enough.  Over riding the templates was the most frustrating thing - typing in black, size 12 in default font to find it published in blue, boxed in a corner and.......
Hopefully all sorted, hopefully,.... Feeling very exposed at the present.  Be warned - will have to start experimenting with promoting it next....
 
 
And totally recommend
BBCs   "At Home With The Georgians: A Man's Place. 
So much more than important people and oh look at the houses. Well done to Amanda Vickery.



Sunday, 16 March 2014

Pelisse- recycling and speed challenge

Spot of light relief this week. I'm putting the time into completing large scale pieces so set a quick challenge.
Task: buy a charity shop garment and create a  regency garment for Gwen in a day. Complete it for under £5, all in.

First find the garment. I was expecting soft cotton summery frocks, flowing skirts, delicate prints. Nope. Still in deepest darkest Winter mode, scratchy wool, jersey knits, heavy colours. There were some nice pieces but not enough fabric  for the price. Ended up with a fake denim look skirt for £2.99.
Issue one - denim? Time correct or not? Serge de Nimes was certainly around  but used for work clothes. Issue 2 - this is fake denim - it's tencel and the distressed and faded bits are manufactured. However there was quite a lot of it, it is quite soft and flexible. I will lie through my teeth and call it 'cotton twill'.



Second - decide on the garment - a pelisse, long ladies coat- think spencer with a skirt. Still like shapes  they make. It is also a flexible thing, the complexity, cut and fullness can be altered to suit the available fabric. The basic shape was meant to be like these examples, high stand collar, short revers and falling quite straight.

Third - sort out a pattern, fitting a quick draft for the bodice to see how much  fabric would be left for the skirt.  The pieces are quite standard but the number of large pieces is a problem, fitting them onto  the largest area of material  means a reduction in the skirt width.
It is unlined (couldn't find a lined skirt I wanted to make from!) so the front is extended to make facings which are turned inside  to make the revers. The sleeves were the most complex part- it had to be in 2 parts to fit on the fabric-, the top is cut wider and  pleated on the centre line, the bottom is tapering to the wrist. I'm not using a pattern for these- it will be maximising what is there after cutting the front  and centre back out. The side pieces and collar are small enough to fit on the scraps.











Assembling - fairly straight forward - the most time consuming area was the sleeves, fixing the pleats and finishing with piping along the joining seam took about 2 hours!. The seams are top stitched to flatten them but otherwise un finished to get the whole thing completed in the  time limit.    Sewing through layers of this fabric was difficult and then painful so short cuts for the skirt were most welcome.






The photos are a gallop through the  process, making the bodice, working the collar, making and attaching the sleeves and then adding the skirt. The skirt is nearly as found - about a 1/3 of the original garment was used to make the bodice so not much room for manoeuvre.  There were 2 triangular inserts  which I  placed on the  side seams to flare over the hips Gwen should have,  and then gathered the excess fabric at the centre back. It is really too long for Gwen, but  in keeping with the "up-cycling" theme it seemed silly to cut off one hem just to make another an inch away! I tried working out the proportions from the fashion plate  and this isn't too far away.

The front is just slightly crossed over and is held with a loop over the bottom right of the 4 buttons. The collar stands without any problem and would frame the face nicely. The frothy lace is just some scrap placed in for the photo, but it does seem to finish the look, the power of accessorising.


Summary -  I don't know what is happening with the photos - the originals are great but the upload seems to be having a bit of a migraine attack with them.
One simple pelisse done in the time allowed using all but scraps of the original garment. It looks like a warm, winter weight garment, quite plain and functional rather than grand and fancy. The only purchase was the victim skirt, all threads and buttons are from the leftovers of other projects. The problem areas are the bulk on the underarm seam affecting the hang even with the seam allowances clipped, and I set the collar about 5mm too far back.  The last is annoying as I fitted the collar and then shortened it !
 It is crying out for more embellishment. The buttons have given a focus to the front but there is plenty of space for frogging or decoration - and on  the back . I did toy with putting a belt across the centre back piece but I like seeing the tops of the gathers, that contrast between the smooth and then the volume is a beautiful detail.  I do wish that I had deconstructed the run and fell seams on the skirt - the machined lines and artificial colouring is distracting. If I decide to make more of this coat then a bit of unpicking will have to happen.

At the moment I am suffering from sewing finger -
the needle used was a 'sharp', slim and very pointy, unfortunately it was sharp at both ends, one finger has lots of little perforations from the point and the other is sore and shredded from pushing the needle though! Solution - toughen up the skin - no more washing up and cleaning windows, perhaps even weeding will have to go- all that washing of hands......

Sunday, 26 May 2013

regency pelisse.

So much needs to be done... including this.....
got as far as making a little half version trying out the ideas.  The general look is quite good but still....AAGH!!


museum of london 1820s.













Not sure about the back skirt yet, the seams feel a little arbitary- the stiffness of the fabric doesn't work for the back gathering- it doesn't have any drape at all. I think there should be more fabric in there  so will have to try again. As you can see the collar was entertaining and I still would like  more height at the back of the neck.

It was fairly straightforward - Janet Arnold was raided again for the basics and shapes of the pieces but historically accurate ?- don't think so. I am still working at the hand stitching - 12 per inch and straight is the current aim( impossible!) .   
I now have a full size pattern for a spencer which I will try out before making this up. With any luck some problems will be sorted - being me, I am sure I can find more!




scissor update - I know where they all are! - not currently sat on any of them.
Why my heavy cutting shears were in the medicine drawer in the kitchen  I have no idea......
 

Sunday, 12 May 2013

spencer portrait... and oops.

as promised the last vision of the Purple Regency Spencer With The Wrong Buttons ( must find an easier name for it) as  a painting.  I tried and failed to ignore that sketch of Jane Austen, I find her expression.... disconcerting.
 Lacking my own model  I've borrowed from several 1800/1810 portraits and fashion plates for style and pose. An oil sketch by Raeburn was the start - the pose is so school photograph it amused me. He looked up at his model but mine seemed all chin so I levelled the gaze but kept the leaning forward on a box idea. The quarter turn presents the shoulder which is where I wanted the focus to be.

 

The initial drawing has emerged looking very Renaissance - the exaggeration of the neck, the clothing detail- was seriously tempted to add a white ferret at this stage.  It doesn't have the snooty expression yet, looks more sulky. The initial watercolour has changed it - the face is more reserved, worried and upright  but alot more is needed on the clothing





Regency spencer portrait
I've tried to keep the face light and minimal - she looks a little upset by this but the purpose was always to show the clothing.


 I do like how the clothing detail worked out - the lawn and lace looks lighter in texture and weight than the silk, and that has appropriate body and sheen.
 Spot the big mistake? THE REALLY BIG MISTAKE. The toooo big to worry about, much too big mistake. Such a stupid thing to do!
Pretend it didn't happen, fussing would only draw attention to it.

Could I add a skirt to the spencer and call it a pelisse?

Back to sewing for next time. It hurts more but at least I can unpick.